Orange Italic

A successful agate predicts the spread of ink on paper and effectively keeps its legibility under less than ideal conditions. Fascinated by the visual aspects of these entirely functional compensations, Christian Schwartz designed Amplitude, an extensive sanserif series for text and display that turns function into style: deep angled cuts keep small sizes readable, while adding character at display sizes. FB 2003 For additional license options like app, enterprise, multi-user, and self-hosted web, visit [Amplitude on Type Network](https://store.typenetwork.com/foundry/orangeitalic/fonts/amplitude).

German-born punchcutter Johann Fleischman, a contemporary of John Baskerville and Pierre Simon Fournier, worked at the Enschedé Foundry in Haarlem. Expert in advanced tools and the qualities of fine steel, he pushed beyond the frontiers of his time, cutting active typefaces famous worldwide for their “sparkle.” Christian Schwartz focused on Fleischman’s exuberant angularity, carrying it to all weights of his Farnham series—Text, Display, and Headline; FB 2004, 2016. For additional license options like app, enterprise, multi-user, and self-hosted web, visit [Farnham on Type Network](https://store.typenetwork.com/foundry/orangeitalic/series/farnham?family=farnham-display).

German-born punchcutter Johann Fleischman, a contemporary of John Baskerville and Pierre Simon Fournier, worked at the Enschedé Foundry in Haarlem. Expert in advanced tools and the qualities of fine steel, he pushed beyond the frontiers of his time, cutting active typefaces famous worldwide for their “sparkle.” Christian Schwartz focused on Fleischman’s exuberant angularity, carrying it to all weights of his Farnham series—Text, Display, and Headline; FB 2004, 2016. For additional license options like app, enterprise, multi-user, and self-hosted web, visit [Farnham on Type Network](https://store.typenetwork.com/foundry/orangeitalic/series/farnham?family=farnham-headline).

German-born punchcutter Johann Fleischman, a contemporary of John Baskerville and Pierre Simon Fournier, worked at the Enschedé Foundry in Haarlem. Expert in advanced tools and the qualities of fine steel, he pushed beyond the frontiers of his time, cutting active typefaces famous worldwide for their “sparkle.” Christian Schwartz focused on Fleischman’s exuberant angularity, carrying it to all weights of his Farnham series—Text, Display, and Headline; FB 2004, 2016. For additional license options like app, enterprise, multi-user, and self-hosted web, visit [Farnham on Type Network](https://store.typenetwork.com/foundry/orangeitalic/series/farnham?family=farnham-text).