Emerging
Cirka is an elegant typeface that combines classic forms u0026amp; a vertical axis with sharp, pointy serifs. It works great set large on posters or headers, or small, as body text. Its personality stems from the combination of the subtle details in every curves and the flamboyant, spikey serifs. Reminiscent of the 'Italian Wedge' shape from Lamborghini.
Berkeley Mono is a monospaced typeface designed for clarity and readability in coding and technical documentation. It is known for its clean lines and balanced proportions, making it suitable for both programming environments and print. The typeface combines a modern aesthetic with traditional monospaced characteristics, providing versatility across various applications.
Neue World is a free-to-try super-serif font family with 6 widths and 48 cuts. Inspired by vintage display types often manually squeezed to fit the print size, this typeface has all the widths required to accommodate any format. Its soft curves and refined details create a sense of elegance in its thinner weights, while the hard contrast in its heavier weights creates a bold statement. A beautiful, modern serif that pays homage to its forerunners. The stunning details and versatile possibilities for this font make it an essential addition to any type tool kit.
Mori is a versatile and sophisticated gothic sans serif inspired by contemporary Japanese design, best suited for editorial, graphic design and branding. From Thin to Black, it has 22 styles, each one includes 804 glyphs with plenty of open type features, including sets with circled and squared numbers, subscript and superscript numbers, symbols and punctuations (some of them Japanese), graphic and mathematical symbols and many alternates. Make sure to check out that geometric 'r' and double-story 'g' !!While keeping all the functionality of a workhorse Grotesk, Mori is far from being boring. You can find some unique and subtle shapes and curves that makes it stand out from the crowd. Notably it's G, number 6 and number 9 just to name a few.
PP Kyoto is a slab serif that naturally bridges tradition and modernity. With a solid structure, distinctive features, and expressive character, it was designed to stand out, especially in headlines. Its bold slabs contrast with soft, teardrop terminals, while prominent dots create a rhythmic flow, adding energy to the composition. The design remained on the shelf for years, slowly maturing into its current form. It all began as a study of Japanese writing systems, an exploration of how a slab serif could visually connect with the Japanese writing systems. The result is a unique typeface, shaped by trial, error, and persistence, now brought fully to life. The family includes 9 weights, from Thin to Heavy, each with matching italics, maintaining consistency and presence across applications. What truly sets PP Kyoto apart is its range: beyond a full Latin character set, it offers complete support for hiragana and katakana, with a carefully considered approach to bilingual typography. A broad set of Japanese punctuation allows for expressive and practical use in multilingual layouts. With 692 glyphs, stylistic alternates, including an alternate Q, and meticulous attention to detail, PP Kyoto offers both control and flexibility. It’s a typeface built for designers who seek visual impact with technical consistency, in projects that demand both elegance and extended language support.