Greg Thompson

Check out the newly updated version of this family [Agenda One](https://fonts.adobe.com/fonts/agenda-one). Agenda is one of the iconic typefaces of the nineties. The extensive family was completely overhauled and relaunched as Agenda One. The pristine, sleek humanistic sans is a typographic all-in-one solution in Regular, Condensed, Extra Condensed, and Compressed widths and weights ranging from Thin to Black. There are enough slight differences in Agenda One that a document set in current Agenda retail will likely reflow just from the slight character widths when changed to Agenda One. Reflows for headlines and larger type are less likely in the wider styles and more likely in the narrower styles but guaranteed for text sizes. Because of other design differences, such as tighter top accents and entirely new kerning, users will almost certainly want to adapt their layouts to the much more satisfying Agenda One details.

Agenda is one of the iconic typefaces of the nineties. The extensive family was completely overhauled and relaunched as Agenda One. The pristine, sleek humanistic sans is a typographic all-in-one solution in Regular, Condensed, Extra Condensed, and Compressed widths and weights ranging from Thin to Black. While Agenda One is intended to be compatible with the original Agenda, Thompson has taken the opportunity to improve some areas that he wasn’t satisfied with, notably in the very condensed styles and in the italics. “I’m much happier with the italics,” he says now. “I think I’ve done a much better job with those.”

Released in 1990, Bodega Sans adopts numerous ideas from the high period of Art Deco, providing designs that are as fresh as they are nostalgic. This geometric series, along with its later serifed companion, is unique in offering both angular and nostalgically rounded forms of each weight, which designer Greg Thompson has called Regular and Oldstyle, as well as Regular Small Caps, offering unique typographic opportunities; FB 1990–92 For additional license options like app and enterprise, visit Bodega Sans on [Type Network](https://store.typenetwork.com/foundry/gregthompson/fonts/bodega-sans).

All the charm of Bodega Sans with the sparkle of contrasts and serifs, Bodega Serif expresses youthful enthusiasm. For additional license options like app and enterprise, visit Bodega Serif on [Type Network](https://store.typenetwork.com/foundry/gregthompson/fonts/bodega-serif).

Broadway, drawn by MF Benton in 1927, is the archetypal Art Deco typeface. Greg Thompson’s Broadacre pays homage to Benton’s iconic capitals and adds an all-new lowercase and small caps. Choose the right intensity of deco goodness from 25 individual styles in a variety of weights, or with the variable font version. For additional license options like app, enterprise, multi-user, and self-hosted web, visit [Broadacre on Type Network](https://store.typenetwork.com/foundry/gregthompson/fonts/broadacre).

A popular television guide commissioned Clicker from Greg Thompson and Font Bureau, a design with roots in machine-readable type and the abbreviated characters of video menus. Drawing forms to look right – rather than to measure correctly –Thompson created with endless subtlety this deceptively simple series of forty-five designs. Clicker offers a contemporary appearance, performing as text and display; FB 1992–2005

“Fifties style meets Cooper Black on the way to the Mac,” says Rick Valicenti as he describes the process of designing Commerce Fat & Commerce Lean. In 1992, the design team of Greg Thompson and Rick Valicenti deliberately crossed the advantages of advanced digital technology with mid-20th-century issues in style and lettering, to produce a happy marriage of something old with something new, the Commerce family; FB 1992 For additional license options like app and enterprise, visit Commerce on [Type Network](https://store.typenetwork.com/foundry/gregthompson/fonts/commerce).