Displaay

Designed by Kasper Pyndt Rasmussen, Aguzzo is a serif typeface loosely related to Augustea, designed by Butti and Novarese for Fonderia Nebiolo in 1951.

Avantt — functionalist-inspired sans with architectural cues, clean proportions, titling alternates; ideal for signage, headlines and refined branding.

Azeret — mono-linear sans with high x-height and 90s‑inspired alternates; versatile for UI, system displays and contemporary branding.

Bagoss — characterful family from condensed to expanded; large x‑height, diagonal terminals and tiny single‑edge serif.

Booton — screen-optimised sans with uni‑width across weights, high x‑height, ink traps and consistent spacing — perfect for digital UI and buttons.

Concrette — Exaggerated arches, rhythmic structure and strong contrast

Preissig on coke at a rave party

Dazzed — narrow cinematic sans mixing comic, grotesque and sci‑fi cues; cut terminals, rounded dots and dynamic italics.

Denim — humanist‑technical sans with flattened overshoots and graceful forms; works equally well in compact text and bold display/headline settings.

Documan — Semi‑rounded, typewriter‑tinged family (not monospace)

Fellix — mono‑linear geometric sans inspired by Futura; diagonal terminals, stylistic alternates and tensions between circular and square shapes.

Fenul — Serif inspired by anatomy drawings: thin centres, heavier ends

Gellix — strict geometric mono‑linear sans with many alternates; balances circular and square forms for a cool, modern grotesque look.

Greed — elegant sans with multiple widths (condensed→extended), subtle stroke contrast and stylized italics — refined display & identity use.

Haffer — crisp, strict sans with horizontal/vertical terminals and warm Matter lineage; performs across sizes; XH variant boosts x‑height for punchy logos.

Hellix — mono‑linear geometric sans with punched circular forms and diagonal terminals; Futura‑inspired, with strict stylistic alternates for modern editorial use.

Jokker — playful grotesque with elevated x‑height, circular construction and tight diagonal terminals; compact, characterful and great for expressive headlines.

Lazzer — narrow sans derived from Dazzed with closed terminals; cinematic, technical feel ideal for tight layouts, headlines and modern branding.

Matter — warm grotesque with lively forms and subtly angled terminals; versatile workhorse that reads well from small text to bold display applications.

Ofform — Modular 7×5 grid face inspired by folded textile strips: uppercase and lowercase equal height, sci‑fi/tech modularity; available Regular + Italic.

Perfektta — narrow sans with visible stem contrast and a distinctive rhombus zero; witty, imperfect details create tension suited to striking display use.

Reckless — Renaissance‑inspired serif with raised x‑height

Roobert — mono‑linear geometric sans; smooth stems, bent‑pipe motifs and robust families for branding, UI and editorial.

Saans — neutral, no‑style grotesque designed as a default system font; consistent, unobtrusive and ideal where a calm, universal tone is needed.