Displaay

We are an independent type-foundry that focuses on developing retail and custom typefaces. Our aim is to develop distinctive fonts that are currently missing in the market.

30 fonts
Website
Aguzzo
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Designed by Kasper Pyndt Rasmussen, Aguzzo is a serif typeface loosely related to Augustea, designed by Butti and Novarese for Fonderia Nebiolo in 1951.

serif
displaay
display
Avantt
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Avantt — functionalist-inspired sans with architectural cues, clean proportions, titling alternates; ideal for signage, headlines and refined branding.

sans
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sans-serif
Azeret
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Azeret — mono-linear sans with high x-height and 90s‑inspired alternates; versatile for UI, system displays and contemporary branding.

sans
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sans-serif
Bagoss
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Bagoss — characterful family from condensed to expanded; large x‑height, diagonal terminals and tiny single‑edge serif.

sans
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sans-serif
Booton
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Booton — screen-optimised sans with uni‑width across weights, high x‑height, ink traps and consistent spacing — perfect for digital UI and buttons.

sans
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sans-serif
Concrette

Concrette — Exaggerated arches, rhythmic structure and strong contrast

serif
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display
Coxx
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Preissig on coke at a rave party

display
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grotesk
Dazzed
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Dazzed — narrow cinematic sans mixing comic, grotesque and sci‑fi cues; cut terminals, rounded dots and dynamic italics.

sans
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cinematic
Denim
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Denim — humanist‑technical sans with flattened overshoots and graceful forms; works equally well in compact text and bold display/headline settings.

sans
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humanist
Documan
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Documan — Semi‑rounded, typewriter‑tinged family (not monospace)

sans
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typewriter
Fellix
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Fellix — mono‑linear geometric sans inspired by Futura; diagonal terminals, stylistic alternates and tensions between circular and square shapes.

sans
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geometric
Fenul
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Fenul — Serif inspired by anatomy drawings: thin centres, heavier ends

serif
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variable
Gellix
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Gellix — strict geometric mono‑linear sans with many alternates; balances circular and square forms for a cool, modern grotesque look.

sans-serif
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geometric
Greed
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Greed — elegant sans with multiple widths (condensed→extended), subtle stroke contrast and stylized italics — refined display & identity use.

sans
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sans-serif
Haffer
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Haffer — crisp, strict sans with horizontal/vertical terminals and warm Matter lineage; performs across sizes; XH variant boosts x‑height for punchy logos.

sans
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sans-serif
Hellix
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Hellix — mono‑linear geometric sans with punched circular forms and diagonal terminals; Futura‑inspired, with strict stylistic alternates for modern editorial use.

sans
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geometric
Jokker
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Jokker — playful grotesque with elevated x‑height, circular construction and tight diagonal terminals; compact, characterful and great for expressive headlines.

sans
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playful
Lazzer
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Lazzer — narrow sans derived from Dazzed with closed terminals; cinematic, technical feel ideal for tight layouts, headlines and modern branding.

sans
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narrow
Matter
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Matter — warm grotesque with lively forms and subtly angled terminals; versatile workhorse that reads well from small text to bold display applications.

sans
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grotesque
Ofform
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Ofform — Modular 7×5 grid face inspired by folded textile strips: uppercase and lowercase equal height, sci‑fi/tech modularity; available Regular + Italic.

display
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modular
Perfektta

Perfektta — narrow sans with visible stem contrast and a distinctive rhombus zero; witty, imperfect details create tension suited to striking display use.

sans
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narrow
Reckless

Reckless — Renaissance‑inspired serif with raised x‑height

serif
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display
Roobert
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Roobert — mono‑linear geometric sans; smooth stems, bent‑pipe motifs and robust families for branding, UI and editorial.

sans
displaay
geometric
Saans
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Saans — neutral, no‑style grotesque designed as a default system font; consistent, unobtrusive and ideal where a calm, universal tone is needed.

sans-serif
foundry
commercial
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